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Brazilian post-punk band formed in São Paulo circa 1980/1981 by Kodiak Bachine, Miguel Barella and Eduardo Amarante. Influenced by acts like Devo, Talking Heads, The Residents, among others, Agentss got a cult following. The band released two 7'' before break up in 1983. .

Komatssu is the most personal alter ego of Hector Sandoval (50% of well-known spanish project Exium). Komatssu builds his sounds over the natural union between the most melodic IDM and the spectral avant-techno, over the sound as generator of emotions and over a varied and solid background of influences that has led him to create really personal soundscapes. .

Erling Blöndal Bengtsson (born March 8, 1932) is a Danish cellist. Born in Copenhagen, Bengtsson gave his first public performance there in 1936, when he was four years old. He was admitted at the age of sixteen to the Curtis Institute of Music in Philadelphia where he studied with Gregor Piatigorsky, who engaged him as a teaching assistant in 1949. From 1950 to 1953, Bengtsson taught his own cello class at the Institute, before being appointed to the Royal Danish Conservatory of Music in Copenhagen. In 1980, he became a professor at the Hochschule für Musik Köln. He returned to...

Tonstartssbandht (pronounced "Ton Starts Bandit") are Edwin White (a.k.a. Eola) and Andy White, two brothers from Florida. tonstartssbandht.bandcamp.com http://www.facebook.com/Tonstartssbandht http://www.doesare.com/artists/tonstartssbandht .

Classically-trained Australian composer Rae Howell and visual artist Jon Cohrs generate a sonic landscape evoking musical traditions, while grounded in electronics. Cohrs’ background can be heard in the smattering of samples but also in the hidden shuffling of feet, a squeak of a chair, the intentional human presence within the recordings, while Howell’s modulating compositions and musicianship create a driving sense melody. The results of Howell’s talents on marimba, vibraphone and keys, and Cohrs’ electronic manipulations – both rhythmic and non sequitur – are captured on record with an ear toward the serendipitous moments of performance. .