Сияние (The Shining) - 1980 | en

French instrumental jazz metal quartet . After a first experimental project including Armand, Pablo (guitars), and Mathieu (drums), the band reborns in 2003 and takes its actual form with Ben's joining (bass) and a fresh synthetisers use. They start composing and working on what they freely name "Brutal Jazz" : instrumental music build on the duality between free-minded approach from Jazz, mixed to brutal sounds and constructions from modern Metal . It results a unique music sounding like Meshuggah and Weather Report, with dramatic influence from Angelo Badalamenti . They rename the band 1980 after the first album's recording sessions,...

(The Death of) Six.by Seven is a pseudonym used by Chris Olley. He is the ex-mastermind (singer, guitarist) of Nottingham's Six.by Seven, which disbanded in 2008. .

Tao Lin is widely regarded as the Poet Laureate of Generation Y. Carles from HIPSTER RUNOFF blog is widely regarded as the subconscious voice of Generation Y. These two influential voices have come together to form “Jesus Christ.” (the indie band). This is not a band–this is a sound project. Tao and Carles are looking to capitalize on emerging music + audio media markets. The product is intended to be something that you can ‘authentically empathize with’, moreso than a traditional ‘indie band.’ “Jesus Christ.” (the indie band)’s tentatively titled “Is This Really What You Want?” EP is ’slated’ for...

TGT were a one-off collaboration between Chris & Cosey and Lustmord. Their lone album, White Stains, appeared on Wax Trax! in 1990. TGT are usually referred to as a "parody" of late-80s industrial music, but their sound nevertheless resembled a more sample-heavy version of Chris & Cosey (albeit with Cosey's vocals heavily processed.) The 11-minute "Machine Gun", featuring many samples from Aliens, is likely their best-known product. .

This band embodies the post-punk, post-rock influences and an ethereal shoegaze lean that are represented from Capital nascent and seasoned rock stars. From Washington, D.C. (i.e. supposed think tank center of the world), the jogs and segues found throughout this release, “Night and Day”, sound measurably fantastic. “Because I am Haunted”, “Suite-T”, “Oh My Mind” are crafted deep with guitar echoes, diminished vocals, and repetitive drum ensembles that are very reminiscent of the early Brit shoegazer movement. Their sound elevates to pop levels with “Funny Cigarette” only briefly; any glimpse of pop stardom is weakened with the ambient and trippy...