Chocora Biscui | en

In 1997, with two Japanese comedians—Kyoya Nanami and Amazan—and later with a second female vocalist known as 'Keddy', she was included in a musical act known as the Black Biscuits. The group was formed primarily as a "rival band" for the Japanese music group Pocket Biscuits, which was the creation of the Japanese variety show Utchan Nanchan no UriNari. Between 1997 and 1999, they released four hit singles and a full-length album, Life. Their single CD "Timing" recorded 1.5 million sales in 1998. And, they participated in Kōhaku Uta Gassen in 1998. .
King Biscuit Time was the first solo project of Steve Mason, lead singer of The Beta Band. 1998 saw the release of his King Biscuit Time "Sings" Nelly Foggit's Blues in "Me and the Pharaohs" EP on Regal. The No Style EP followed in 2000. Post Beta Band, Mason was signed to No Style Records, an imprint of Alan McGee's Poptones label. The single C I AM 15 (featuring Topcat) was released in September 2005, with the follow-up KwangChow and debut album Black Gold following in 2006. Shortly after the release of Black Gold, Mason announced that he would not...
Light and poppish, this New Zealand band released a single album, Sun Hits the Moon, early in 1995. They dissolved soon afterwards when band leader Stephen Judd left for family reasons. The remaining members of the band have continued to play together at various times. .
Gorilla Biscuits is a New York straight edge hardcore punk band on Revelation Records. They formed in 1987. They picked the name under pressure to have a name when Token Entry got them a stage appearance unexpectedly. Ironically (due to their straight edge status), the name came from a big quaalude known as a "gorilla biscuit" which was popular in their neighborhood. The intent was to change the name later, but it stuck. However the name was used effectively in one of their early songs which is titled Biscuit Power with the lyrics "Gorilla Biscuits in your fucking head, one...
Karl Biscuit was a French electropop artist with avant-garde leanings. He recorded for the Crammed record label and was closely connected with artists such as Tuxedomoon and Aksak Maboul. The following is from the Crammed website: He came from the world of contemporary ballet and became a mysterious cult figure following his three releases which combined electro beats, tongue-in-cheek romantic darkness and strange mambo influences: "Regrets Eternels" (1984), "Fatal Reverie" (1986), and "Secret Love" (1987), which were all re-released on one CD in 2003, as part of the Crammed Global Soundclash re-issue series. Karl Biscuit went back to his first...
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