Elisabeth (Pia Douwes, Uwe Kröger) | en

1. Elisabeth G. Nielsen (ex- Voxpop). A danish singer, songwriter and solo artist who had some dansk hits in the 80's'. 2. Elisabeth Jakovenko an upcoming singer/songwriter from New York, New York. 3. A Helsinki-Based, Finnish Singer-Songwriter It may also be an incorrect artist tag for the soundtrack to an Austrian-Hungarian musical about the life and death of the Austrian empress Elisabeth. The music and lyrics were written by Michael Kunze & Sylvester Levay. .

Band from Germany (Kulmbach, Bavaria) . Genre Black Metal (early), Neoclassical/Ambient (later). Status : Split-up ( June 2008 ) Last known line-up UB (aka Blutgraf Gha �agsheblah) - Song concept, bass, vocals, samples, etc. Alex Wieser "Hugin" (aka Graf Alexander Zu Sankt Magdalena, aka Höllenfürst) - Guitar, synthesizers, vocals, samples, etc. (Folkearth, Hrossharsgrani, Hrefnesholt, Uruk-Hai (Aut), Ravenclaw (Ltu), Manwe, Heimatleid/Bonemachine, Ceremony of Innocence, Wach, Schlaganfall, After Aids, Guts for Dinner) Neon Ästhet - Text concept, visual art-painting, vocals Discography Durst Nach Unsterblichkeit Demo, 2000 Bluthochzeit EP, 2001 Demeter Demo, 2001 Isten Szek! Demo, 2001 Sterbegesänge Demo, 2001 Renfield EP, 2002...

Elisabeth Waldo Dentzel (born June 18, 1918) is an American violinist, composer, songwriter, conductor and ethnomusicologist. A scholar of pre-Columbian era music, she was an early adopter of Native American musical instruments among those trained in European classical music. Her melding of ancient and contemporary styles of American music ranks Waldo among the pioneers in the genre now known as exotica. Waldo was born in Yakima, Washington to Jane Althea Blodgett, a singer trained at the Boston Conservatory of Music, and Benjamin Franklin Waldo, a descendant of Ralph Waldo Emerson. Waldo grew up on her family's ranch at the edge...

The German soprano Elisabeth Rethberg (22 September 1894 – 6 June 1976) was an opera singer active from the period of the First World War through to the early 1940s, who was regarded as some the greatest soprano of her day. While she did not break any new ground dramatically or vocally, Rethberg was just as much at home singing in Italian or German. She employed her lyric voice with such focus that she never seems obscured in old recordings by either loud orchestras or larger-voiced partners. She slotted ideally into delicate Mozartian roles yet was perhaps the greatest Amelia...