Octurn | pl

Formed in the armpit of the world Detroit murder city USA. We are comprised of 4 old-school front line vets of the Metal scene. We crank out a sound that could only be compared to the ruthless aggression of vintage German thrash Metal. But don't call us retro, unless you want your teeth removed, the hard way. We've upped the ante and will flat out crush any flavor of the month Swedish clone nerds, or blast wimps. Violence, warfare, destruction, hatred, and total annihilation are the name of the game. We're serious and to the point, like a loaded gun...

There are multiple artists with this name: 1) Nocturne is a five-piece electro-gothic outfit based out of Portland, Oregon, United States. "Of Beauty and Decay", is their debut release that actually consists of mostly older material by this eighteen month old project. Perhaps the best thing about this EP is the lack of gothic stereotypes that usually befalls most new gothic bands. Jeff, the lead vocalist, doesn't feel it necessary to sign every track with an abnormally deep voice. Instead he uses his rather dynamic vocal range to reflect the variety of moods present on the record. Musically, the EP...

Nocturnal Bloodlust to japoński zespół który można nazwać deathcore'owym, powstał we wrześniu 2009 roku. Skład: wokal - Hiro gitara - Cazqui gitara - Daichi bass - Masa perkusja - Natsu ex. członkowie to: Junpei & Gaku. Official site Myspace Facebook .

Being unpredictable is Octurn’s speciality. For over a decade now, it has staked out its own musical landscape by continually mixing and blending approaches and gamely covering its tracks, all the while keeping originality and searching spirit. Albums, concerts, repertoires, personnels and collaborations remain as proof of their creative fertilitiy and accomplishments. “We are inexorably carried by this fleshy mechanism, fascinated by the perpetually-renewed perfection of its cogs, thrilled by the remarkable personalities that roam it so freely, buffetted by the diverse viewpoints offered onto this rotating sonic monolith.” (Franck Bergerot in the October 2002 issue of JAZZMAN) Bergerot’s detailled...