Gaye Su Akyol | en

Marvin Pentz Gay, Jr. (2 April 1939 - 1 April 1984) was an American soul and rnb singer, songwriter, producer, and multi-instrumentalist, known as "The Prince of Soul", or "The Prince of Motown." Originally a member of the doo-wop group The Moonglows, he pursued a solo career after the group disbanded and released many successful solo hits including "I Heard It Through the Grapevine", "Let's Get It On" and "What's Going On". His best albums are still held in extremely high regard, and he is often cited as one of the finest singers of his era. Marvin Pentz Gay, Jr....

The Gaye Blades began as a side project of The Black Lips' bassist Jared Swilley and The Lids' singer/guitarist Bobby Ubangi. Their first few years of existence saw multiple line-up changes and very few shows. Upon the release of their first 7", 'I'd Brave Anything for You' (Rob's House / Die Slaughterhaus), the band settled on a final lineup and began playing shows more frequently. The current lineup includes Mike the Bison Beavers of Beat Beat Beat and Trey Lindsay of Rob's House Records. .

Gaye Su Akyol is the daughter of fellow artist Muzeffer Akyol, like her father she is also involved in visual arts as well as being a graduate from cultural studies... Her solo first record ‘Develerle Yaşıyorum’ stroked a new chord in Turkish alternative music scene. She unearthed her own story expanded into 9 tracks in May 2014. She has been gaining notoriety in the scene as one part of the local, hypnotic "electro-acoustic" band ‘Seni Görmem İmkansız’, now determined to continue her musical venture as a whimsical storyteller. The 29-year-old singers sound can be defined as ‘musiki’ rather than the...

Knocking at the door of the Tragar boxcar was Sandra Gaye, the Franciene Thomas of 1969. Her sassy, youthful swagger produced one of Tragar’s most distinctive singles in “Watch The Dog That Bring The Bone,” the grittiest funk Atlanta had to offer as the 60s found their end. Hardly surprising, when considering that “Funky Four Corners” writer Richard Marks had played guitar and co-penned the track with Bill Wright. .