Bennie Wallace | nl

BENNIE K is a J-Urban group that consists of a vocalist and a rapper. They met in America while YUKI was in Los Angeles for voice training after she graduated high school in New Zealand. After getting hooked onto American hip-hop, they decided to combine their talents and start a unit. BENNIE K made their debut in January 2001 with the single Melody on the For Life Music label. The trained vocals of YUKI with CICO rapping, along with the mix of Japanese and English in many of their songs have given this group a unique sound that has yielded...

Bennie Maupin (born 29 August 1940) is a Detroit jazz multireedist. He performs on saxophones, flute and bass clarinet. He is probably best-known for his membership in Herbie Hancock's Mwandishi sextet and Headhunters band, and for performing on Miles Davis's seminal fusion record, Bitches Brew. Maupin has collaborated with Horace Silver, Roy Haynes and many others. He has also performed on several Meat Beat Manifesto albums. He is noted for having a very harmonically-advanced, "out" improvisation style, while having a different sense of melodic direction than other "out" Jazz musicians such as Eric Dolphy. As a composer, he has a...

Bennie Maupin (born 29 August 1940) is a Detroit jazz multireedist. He performs on saxophones, flute and bass clarinet. He is probably best-known for his membership in Herbie Hancock's Mwandishi sextet and Headhunters band, and for performing on Miles Davis's seminal fusion record, Bitches Brew. Maupin has collaborated with Horace Silver, Roy Haynes and many others. He has also performed on several Meat Beat Manifesto albums. He is noted for having a very harmonically-advanced, "out" improvisation style, while having a different sense of melodic direction than other "out" Jazz musicians such as Eric Dolphy. As a composer, he has a...

Bennie Moten (November 13, 1894 – April 2, 1935) was a noted American jazz pianist and band leader born in Kansas City, Missouri. He led the Bennie Moten's Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s Big Bands. His first recordings were made (for OKeh Records) in 1923, and were rather typical interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the Ragtime that was still...