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Sari Abboud (in Arabic ساري عبّود) (born December 10, 1980 in Beirut, Lebanon) better known by his stage name Massari (in Arabic مساري) is Lebanese Canadian R&B, pop, and hip hop singer who grew up in Canada. Massari is Levantine-Arabic and Lebanese dialect slang for the word "money" (in Arabic مصاري)
He moved to Montreal at the age of 10 and at 13 he moved to Ottawa where he currently resides. The trilingual artist – he speaks English, French and Arabic fluently – cites Michael Jackson, Stevie Wonder, and Aretha Franklin as musical influences. However, growing up he has been...
Joe Bonamassa è nato a Utica, New York, USA, l'8 maggio 1977.
All'età di 11, durante un breve periodo in giro per l'america assieme al musicista musicista Danny Gatton ha appreso stili come il jazz e l'heavy rock.
Durante questo periodo con Gatton Bonamassa ha assistito a tutti gli show eseguiti dalla band in giro per New York.
All'età di 12 anni aprì un concerto di BB King. A 14 anni, è stato invitato a partecipare ad una manifestazione Fender; In questa occasione ha incontrato Berry Oakley e Jr Joe Berry con i quali fondò il gruppo "Bloodline" assieme al...
Indie Trash Trio from Berlin, made a small splash in the late 90s and early 2000 but then split due to 'artistic differences'.
Vocals: Claudia Splitt (Miss Megatrance)
Guitar: Ingo Bousa (Kingo)
Bass: Rob Zoom (don't know his real surname)
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Houston TX based abstract, intricate blackened death metal with roots deriving from early melodic black metal beginnings and changing directions entirely shortly thereafter. Commonly tagged as "abstract, technical death metal"and referred to by some as the U.S. answer to Canadian death metal band Gorguts, Crimson Massacre keeps evolving with each release and with seperation/inclusion of rotating band members. Luster of Pandemonium saw Crimson Massacre at the threshhold of entering new territory for the band, both melodically and structurally. The untitled follow up full length sees Crimson Massacre exploring wider stylistic possibilities and evolving further with compositional approach into a more...
