Cria Cuervos | ar
Banda Crianças, proveniente da região dos lagos do rio de janeiro, numa mescla macaense e riostrense de música rítmica sem ritmo. Com influências do kraut-rock alemão e do powerviolence paulistano o grupo aposta (?) no jazzviolence.
também confundido com outras crianças, possivelmente da tele-novela carrossel.
procure saber, atente-se aos sinais.
https://www.facebook.com/criancasoficial/ .
Trinacria was initiated by Rikskonsertene as a commissioned work by Ivar Bjørnson from Enslaved, Maja Ratkje and Hild Sofie Tafjord, both from Fe-mail. The compositions are performed by the heavyweight line-up of Grutle Kjellson (Enslaved), Arve "Ice Dale" Isdal (Enslaved, Audrey Horne), Iver Sandøy (Manngard, Emmerhoff & the Melancholy Babies) and Espen Lien (Barbie Bones, Slut Machine).
Trinacria premiered live at the Inferno Festival 2007 Thursday April 5th, followed by an appearance at Kongsberg Jazz Festival 2007 on July 4th. This first round was concluded by a Norwegian tour during the last parts of September 2007 going into October.
Trinacria...
Ana Criado's songs are more vulnerable than butterfly wings. In her English ballads, the half Spanish, half British singer-songwriter requires only simple words and simple meanings combined with some well thought-out notes to tell her story.
Nowhere does she need to raise her voice to deliver the feelings. The moments of silence in each of her three songs hit hard. Ana Criado (Critically acclaimed by Oor) is currently studying songwriting at the Tilburg Rockacademy. To give her work a finishing touch she cooperated with composer J. Perkin of Solo. In 2005 she was invited by producer Reyn Ouwehand to records...
Behind Cría Cuervos is Italian artist Eugenio Maggi. The name of his ambient musical project is a direct reference to Carlos Saura's movie of 1975 depicting a childhood world torn between reality and imagination, an elliptical universe where each detail is thrown into relief in a devious way. It is an apt metaphor for how Cría Cuervos' music operates onto our mind and senses.
After some early analogue experimentations (1999), Cría Cuervos refined its aural techniques to brew gradually more visceral, layered and enthralling soundscapes, often incorporating real sampled sources and unexpected, mutated field recordings. .
